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Hungerford Arcade John of Gaunt

Hungerford Arcade and everyone living in or associated with this beautiful town is very proud of the history of Hungerford.  The most famous inhabitant of Hungerford is, of course, John of Gaunt.  Our wonderful friend and author, Stuart Miller-Osborne, has written this fascinating article about this very famous man and his life. I hope you enjoy reading it as much as I did.


Hungerford Arcade John of GauntWhat is noticeable when one is in Hungerford, are the references to a certain John of Gaunt. There is an inn named after him near the two rivers as well as a school that bears his name on the hill above the town. But who was John of Gaunt and why is his name so intertwined with the history of Hungerford? To find out we will have to go back to the reign of Edward the Second (1307-1327).

 

 

Hungerford Arcade John of Gaunt 6 It is known that the King visited the town on June 19th 1308.  But let us jump forward some fourteen years as this is a record of history only.  A certain Thomas Earl of Lancaster and Leicester who was beheaded for treason in Pontefract in 1322 and had his properties forfeited to the Crown.  The King however, learnt that Thomas’ widow, Alice, had  Hungerford settled on her after her husband’s death along with the profits from the manor.

 

This is where it gets slightly complicated.  It seems that a neighbouring Lord, a man called Henry le Tyes from Chilton Foliat, had also been involved in the rebellion and was executed at the same time as Thomas. In 1327, his estates were settled on his brother Henry who died in 1345.  His son of the same name, was created Duke of Lancaster by Edward the Third.  When Henry died in 1361, Hungerford passed to his daughter, Maud (Matilda), who was called Maud of Bavaria and was married to a certain Duke of Zealand. Are you still with me ?

 

Maud, sadly died on the 10th of April 1362, which, in the greater scheme of things, is a date of interest in the story of Hungerford and John of Gaunt, as her estates were left to her younger sister, Blanche who was the wife of the King’s forth son whom, as we know, was John of Gaunt.

 

John of Gaunt had been created by the Duke of Lancaster and the Earl of Leicester and because of his wife, there originated his connection with Hungerford.  Quite what happened to Thomas’ widow Alice and her possession of Hungerford is unclear, but by 1362, John of Gaunt and Hungerford were now being mentioned in the same breath.

 

 

Hungerford Arcade John O'Gaunt 3John and Blanche were married at Reading Abbey on Sunday, the 19th of May 1359, which although very much changed, still exists and is well worth a visit.  I have recently read an account of the marriage in a book called The Marriage of John of Gaunt and Blanche of Lancaster at Reading Abbey (1917), which apart from giving an account of the wedding, gives pen-pictures of both John and Blanche which I will share with you.

 

 

John of Gaunt

Hungerford Arcade John of Gaunt 2John of Gaunt was the fourth son of King Edward the Third.  He was just nineteen years old when he married his cousin Blanche, the second daughter of Henry Duke of Lancaster. John is remembered as a tall and soldier-like man with a determined yet thoughtful countenance. Chaucer spoke of him as “a wonder wel-faringe knight of good mochel” (a wonderfully handsome knight of great size).

 

 

Blanche of Lancaster

Hungerford Arcade John of Gaunt 7Blanche is noted as being a beautiful English blonde (An English Rose), who was tall like her husband and graceful in disposition. She was soft of speech and must have made an impression on Chaucer as she is mentioned in his Book of the Duchesse as follows;

 

 

 

As the someres sonne bright

Is fairer, clerer and hath more light
Than any planete in heven
The mone or the sterres seven
For al the worlde, so had she
Surmounted hem alle of beaute,
Of maner and of comlinesse
Of stature and wel set gladnesse
Of goodlihede so well beseye (endowed)

 

 

Hungerford Arcade John O'Gaunt 4The description is typically Chaucer’s and with most of his work, can be read in a number of ways.  But Blanche, who was an early patron of the poet, would I believe, have been amused (if not flattered) by his description of her.  Blanche, who was a years younger than John and in the ten years of their marriage, bore him five children, one of whom married the future King of Portugal.  Sadly, Blanche died of the plague on the 12th September 1369, her sister and father having already succumbed to the disease.  She was buried in St Paul’s Cathedral and was later joined by John on his death in 1399.

 

 

 

 

Hungerford Arcade John of Gaunt 3Upon his marriage to Blanche, John inherited North Standen as well as Hungerford Manor and Sandon Fee (a rural estate that lay around the town).  He also held the manor of Charleton (Charnham Street) as well as the Overlord-ship of nearby Eddington although, some of the nearby areas were still held directly by the Crown.

 


History relates that Edward the Third granted a Charter to Hungerford and John later granted himself the rights of free fishing from Eldren Stub to the Irish Stile (with the exception of some privately owned waters). The Charter is also said to confer rights of hunting grazing and fishing to householders living in the main street in Hungerford. This Charter itself appears to have been lost in 1381 during the Peasants Revolt so its history is that of some dispute.  What is known however, is that the inhabitants of Hungerford were granted a large number of rights and privileges, unusual at the time and since.  John is generally thought to have granted these but again, this is disputed in some quarters.  In short, John is credited in granting free fishing rights on the River Kennet between Elder Stubb (just below Leverton) to the Irish Stile (near Kinbury) to the inhabitants of the town as well as other privileges.

 

The John of Gaunt Horn

Hungerford Arcade John of Gaunt 8There is also the John of Gaunt Horn, which is supposed to have been made to guarantee the previously noted rights. The horn has Hungerford on one side with the word Actel (or Astel) on the other along with the crescent and star, which is now recognisable as the badge of the town.  This said, the horn dates from the fifteenth century (John died in 1399), but what is known, is that for some two hundred years (1365 -1565), Hungerford enjoyed John of Gaunt Privileges with the profits of markets and fairs as well as the free fishery being a right.

 

 

Hungerford Arcade John O'Gaunt 1Why this came to an end is the subject for a different article, but whilst you cannot still fish freely on the Kennet, the sight of the yearlings grazing freely on Hungerford Common and the annual Hocktide (Tutti Day), gives a clue to the town’s past.

 

 

Whatever John of Gaunt did or did not grant is a subject for historians, but it all contributes to the unique feel of our town.

Stuart Miller-Osborne

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Hungerford Arcade Pre-Raphaelite Brotherhood

We are very lucky at Hungerford Arcade to have such a good friend and writer as our brilliant Stuart Miller-Osborne. Stuart has written this remarkable story which I am sure will have you riveted as it did me. Sit down with a nice cup of tea and enjoy.
Rita

 

  

Quite
often when you stroll around the Arcade here in Hungerford or, if you
are elsewhere, you will find a book about the Pre-Raphaelite
Brotherhood which was essentially a collection of English painters
and poets and critics which was founded in 1848. 


If
you are lucky, you might find a framed print of their work. 

The
brotherhood initially consisted of William Holman Hunt (1827-1910),
John Everett Millais (1829-1896) and Dante Gabriel Rossetti
(1828-1882).

Its
aim was to reject the approach adopted by the Mannerist
artists.They considered the classical poses and compositions
especially from Raphael to have been a corrupting influence on the
teaching of the day.

Hence
the title of the group. 

They
drew up a doctrine in the early days which read as follows. 

1/
to have genuine ideas to express

2/
to study nature attentively, so as to know how to express them
(nature)

3/
to sympathise with what is direct and serious and heartfelt in
previous art, to the exclusion of what is conventional and
self-parodying and learned by rote

4/
most indispensable of all, to produce thoroughly good picture and
statues

In
short, it was a freedom of expression with the members being able to
express themselves without borders and by doing so, getting the work
to breathe and be approachable.

If
one looks at works by members (or later members) of the
Pre-Raphaelite Brotherhood then, I personally think that their ideas
are still attractive. 

Although
one must have something of knowledge of their work, I feel that these
paintings still speak to us today as much as they did some one
hundred and fifty years ago.

But
what of the models. Do we ever consider the models who posed for
these famous works? 

There
are the famous ones such as Lizzie Siddal (1829-1862) who is forever
connected with Rossetti.

But
who was the girl in the centre of the Millais painting, Autumn
Leaves
 (1856), it certainly was not the tragic Lizzie?

I
first saw this painting in Manchester many years ago and was struck
by the two figures to the left of the painting. Although unable to
help, the gallery assistant did point me in the direction of a book
which revealed that the models were in fact the sisters Alice and
Sophie Gray.

I
made a mental note of this and really forgot about the sisters for
many years until I saw a copy of a painting completed a year later by
Millais called simply, Portrait of a Girl.

The
artist had used the same model as he had in Autumn Leaves and
after further research, I found this was indeed Sophie Gray
(1843-1882) whose life was equally as tragic as that of Lizzie
Siddel.

What
struck me about the portrait was the sensuality and erotic charge
that this simple painting gave to the viewer.

I
initially thought that the artist might have been the lover of the
sitter, but there is no evidence to suggest that Millais and Sophie
were ever physically involved and also, she was only fourteen when it
was painted.

But
this is where my researches became interesting, as did not John
Everett Millais run off with a certain Effie Gray (1828-1897), the
wife of the famed art critic John Ruskin (1819-1900) and was Sophie
indeed related to Effie and how long had she known the artist?

My
research was easy, Effie was indeed Sophie’s sister, although some
fifteen years her senior. Sophie had first met Millais in 1853 and he
had completed a rather nice oval watercolour of her in 1854. 

Indeed,
both she and Effie and her sister Alice sat for the artist. 

Millais
was taken by Sophie’s prettiness and wrote to Sophie’s mother of
this 

“…What
a delightful little shrewd damsel Sophia is…I do not praise her to
please you, but I think her extremely beautiful, and that she will
even improve, as yet she does not seem to have the slightest idea of
it herself which makes her prettier—I am afraid that ignorance
cannot last long…”
  

Indeed,
when he painted Sophie in 1857, she was as I have noted, only
fourteen but the charge of the painting hints at a much older model.
The sitter of this unusual work looks as she has attained early
adulthood.

Sophie
occupies a large part of the canvas and is lit in a delicate fashion
from the left which highlights her golden brown hair and hints at its
auburn highlights. Her clothes are not memorable and are simply
decorated with an embroidered heart containing three flowers within. 

I
have often thought that this simple embroidery contained a secret
message and to some extent, my enquiries continue. I believe that the
artist left a quiet message in the decoration.

Maybe
it is a declaration of his attraction or love for the sitter or, it
might be my own fancy and it is a simple decoration and like others I
am reading too much into it.
  
Sophie’s
long hair frames the portrait and mingles with the dark background.
There is a sniff of lace at her throat and her pale face contrasts
with the darker colours used. 

She
stares at the viewer with her cold blue eyes which are expressionless
to the extreme. There is no clue as to what she was thinking or maybe
she is challenging the viewer to probe her thoughts (or, this might
have been Millais and Sophie’s jest who knows)?

Her
lips and rosy cheeks again contrast the darkness and the light of the
painting. Her lips are ruby red and are pursed in defiance and her
rosy cheeks hint at fluster. These are all enigmatic clues which
suggest things unseen.

Sophie’s
chin is defiantly but subtly tilted, hinting at self-confidence
(which might again be a jest). 

It
is obvious that there was a connection between Millais and Sophie as
the artist has produced a very haunting portrait which celebrates the
beauty of the sitter and the fondness that he had for her.

One
has only to look at his paintings of the other Gray sister’s. These
are excellent works in their own right but they are just portraits.
There is no connection between the sitter and the artist and
certainly no erotic charge. 

It
is well known that Millais ran off with Effie Gray and many stories
were created at the time especially the one about Ruskin’s horror
at the sight of his wife’s pubic hair.

It
was really a case of two people in a marriage not hitting it off and
drifting apart. 

Victorian
society was easily shocked at abandonment especially if the wife
eloped with her lover, so stories were made up to cover some of
Ruskin’s peculiarities.

Effie
was the scarlet woman who had run off with an artist,
although
Millais was quite a respectable one. 

On
researching this, I found out that Sophie actually helped her sister
to elope by train (Effie travelled to Scotland whereas Sophie
alighted at Hitchin where she met her father as they were to deliver
a package on to their solicitors who would forward it on to Ruskin
noting his wife’s actions).

This
package included her wedding ring and the keys to the house.

Indeed
Ruskin came across as being a rather nice fellow who I believe,
understood in time why Effie ran off with Millais.

Others
may disagree with my thoughts, but there are always two or three ways
to look at everything. 
I
personally think that if Millais had not met Effie, then he would have
married Sophie and the story that I am about to tell might not have
had such a tragic ending.

Sophie
sadly had always been highly strung and was further damaged when she
acted as a go-between between Ruskin and Effie. 

She
was also indulged by Ruskin’s domineering mother in an attempt to
turn her against her sister. But being loyal she kept her sister
informed of everything that was said. 

Sophie
began to exhibit major mental health problems in her mid-twenties and
was, in 1868 sent away from her home to stay in Chiswick under the
care of a certain Doctor Thomas Tuke who specialised in mental
health.

Sadly,
conditions such as Sophie’s were often diagnosed as hysteria which
was thought to be quite common in young women.

What
is known, is that Sophie suffered from Anorexia Nervosa which
contributed to her overall condition.
.
In
1873 she married (unhappily it turned out), to a Scottish Jute
manufacturer James Key Caird.

He
was wealthy but neglected Sophie when she needed him most. They had a
child Beatrix Ada (who was later painted by Rossetti) and she lived
mostly alone with her daughter in Dundee and Paris.

As
with patient’s suffering from this condition, she lost weight
rapidly and her health deteriorated and she was again committed to
the care of Doctor Tuke, but she never really recovered and passed
away on the 15th of March 1882.

Her
cause of death was recorded mysteriously as exhaustion and
atrophy of the nervous system.

There
were rumours of suicide but these were never really followed up.

I
would like to think that given the right circumstances, Sophie might
have been able to conquer or at least live with her demons and a late
portrait by Millais painted in 1880, shows a much different Sophie.

She
has aged and looks older than her thirty-seven years. Her once
luxurious hair is showing evidence of greyness and is tightly wound. 

Sophie’s
posture is nervous almost insular and she bends her fingers with
nervous impression. She is dressed modestly and could almost be a
spinster hidden away in the shadows. 

Her
colours are sombre and Millais has almost created a ghost like figure
in complete contrast with the sensuous portrait painted some
twenty-three years previously.

It
is one of the most tragic of his works and in my view, should be hung
next to the 1857 portrait but this unlikely to happen.

Other
interesting facts I found whilst researching this article was that
sadly, Sophie’s daughter died in 1888 at exactly the same age as
her mother had been when she sat for the famous portrait. .

Her
husband, although neglectful of Sophie, helped to fund Ernest
Shackleton’s Trans-Antarctic expedition (1914-1917) and was a major
benefactor to the city of Dundee.

Although
he has been painted as being neglectful of Sophie, the death of his
wife and his daughter within six years of each other seemed to have
hit James Caird hard and he became increasingly philanthropic in his
later years (he died in 1916).

He
contributed £18,500 to the Dundee Royal Infirmary so that they could
erect a hospital for the treatment of cancer. This was one of his
many generous gifts to the city.

I
believe that James was just a typical Victorian businessman but in
Sophie’s case, his neglect was not helpful. Maybe he did not fully
understand Sophie’s condition and the dangers it presented.

If
I had the funds available (and if the present owners would sell), I
would purchase Sophie’s 1857 portrait and loan it to a gallery so
that visitors could examine this astonishing work and maybe try to
discover some of its secrets.

It
is one of the most enigmatic of paintings. 

Stuart Miller-Osborne             


For all the latest news, go to our Newsletter at www.hungerfordarcade.co.uk

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Friends

 Hungerford Arcade has many friends and we would like to share them with you.

 

Classic Cars

West Berkshire Classic Vehicle Club

The West Berkshire Classic Vehicle Club is a special friend of the Arcade.  They hold two Classic Car Shows per year at the Arcade, raising money for our charities.  (See our May and September Blogs). Click this link to visit their website and find out all the good things they do including raising money for their own charity. the Leukaemia & Lymphoma Research Fund http://www.classicvehicles.org.uk/ 

 


Pipes and Wires Limited – Electricians and Plumbers.

Established for over 30 years, Pete Wood, together with Laura and Cameron, has been responsible for replacing our fluorescent lights with environmentally-friendly LEDs.  They are not your average electricians and plumbers and have become firm friends of the Arcade with their professional, friendly, reliable and meticulous approach to their work.

Qualified to HNC, full member of the Institute of Electrical Engineers (MIET), approved part P,  new City and Guilds 2919 Electric Car Charging approval.

We have no hesitation in recommending them to anyone requiring electrical or plumbing work.  For further information, please see their website www.pipesandwires.co.uk

 


Fizzthinks360 was created by Jonathan Welch. Jonny is a purveyor of mirth, hard worker and generally a nice guy. Working with Jonny is a team that continues to grow and does so happily. We always smile and regularly laugh. Clients like us. We like our clients. We get things done. We all benefit. Simple…

 

THE 360 SERVICE

We offer a ‘360′ service including Promotion, Strategy, Web design & development, App development, Email marketing, Digital media and Social media. In association with Brown McLeod we can also offer an Accountancy and Tax planning service.

 ON THE LOOK OUT FOR TALENT

We are always looking for talented people. We have had many success stories and a few near misses… You never know! Let us know about you

 


UK Forces Support

Here at Hungerford Arcade, we are very proud of our British Forces and being part of the “Supporting Our Forces” network. 

 

 

 

http://www.britishforcesdiscounts.co.uk/searchtown.aspx?s=Hungerford


 Tinkerjo Design Specialists

 

(L)Alex Jeanette’s mum, Jeanette (Tinkerjo)  & Rita

Wiltshire / Tinkerjo loves shopping at Hungerford Arcade.  Tinkerjo specialises in Designing and Creating the difference with Enchanting, Romantic, Elegant, atmospheric Wedding,Celebration & Corporate Styling.

jeanette@tinkerjo.co.uk

www.tinkerjo.co.uk

 


Minaten Tenrankai

Hungerford Arcade Friends with Minaten Japan Hungerford Arcade Friends with Minaten Tea Rooms Japan

 

 

 

 

 

 

 

 

 

 

 

Minaten is a Japanese company who own and run English Tea Rooms in Japan as well as an import, export business with big named companies such as, Liberty.  Minaten owners enjoy coming to Hungerford Arcade to shop for those quintessential British items and we are proud to have them as Friends of the Arcade. You can visit them at http://minaten.com/

 


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We have always been great admirers of Penny Post and its a great read.  In fact, it is a must read for everyone. Community news for everyone within 15 miles of Junction 14 of the M4.

To subscribe to the weekly Penny Post e-newsletter, click here: 

www.pennypost.org.uk/

 


Antique Jewellery BoutiqueAJB have been friends of Hungerford Arcade for many years specialising in Beautiful Antique & Vintage Jewellery. 

 

www.antiquejewelleryboutique.com

 


We are very proud to have the magazine, Army and You as our friend of the Arcade. Army&You is the new quarterly magazine of the Army Families Federation (AFF). It is delivered free four times a year to Army families and subscribers worldwide and is for everyone with a soldier in their life.

 

http://www.armyandyou.co.uk/

 

 

 


Get-it-Sideways07-Dave-Kedward Best Chelt MC_jpg

We are very proud to have the Cheltenham Motor Club as our friends.  Click this link to visit their website

 

http://www.cheltmc.com/

 

 


The Guild of Aviation Artists

 

19_avoidcurvesandflares

Avoid Curves and Flares by R A Hames

Rob Hames, artist BA (Hons), AGAvA is the West Region Co-ordinator of the Guild of Aviation Artists. Rob came to the Arcade as a customer and is now a friend of the Arcade. To see all the art work, click on this link to their website www.robhames.com

 

 

 


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The Town & Manor of Hungerford and Liberty of Sanden Fee probably became established in the 14th Century for the protection of the Rights of Common jealously exercised by the inhabitants of the Town.

www.townandmanor.co.uk/index.html

 

 


Hungerford Arcade Joseph Cho Antique Warehouse South Korea

Our lovely friends Joseph Cho and his beautiful wife (on the right in the picture) come to Hungerford Arcade regularly to make purchases which they ship back to Pohang, South Korea where they have a fabulous antique business.  Jo said this is their fifth visit in four years!

http://www.antiquewarehouse.co.kr/

 

 


 

Jeanette Ellis Styling Services

 

 

 

https://www.jeanetteellisstyle.co.uk/editorial-styling

Jeanette Ellis Commercial & Editorial Styling

 

Jeanette really enjoys shopping at the Arcade buying beautiful and unusual items for her business.  Have a look at the photograph above, taken at the stunning, Wroughton House, Wroughton and you will see perfection.  This lady certainly has style and is very creative.  All the candlesticks and tableware shown in the picture, Jeanette bought at the Arcade.

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Page Postcards (Unit 7)

PAGE POSTCARDS

 

postcards

 

Jonathan Edwards has collected postcards since he was 10, when his grandmother gave him her own collection from her Edwardian childhood. He hasn’t looked back! In his 20s he started to sell some of his unwanted postcards to enable him to build up his collections, and for the past 7 years he has been delighted to sell postcards at Hungerford Arcade.

 

Family History – many people buy old postcards to illustrate their own family’s history. If you are incredibly lucky you might be like a lady recently who bought a century-old postcard of a small Suffolk village only to find that it was addressed to one of her ancestors!

 

postcards

Local History – the appetite for local history is vast and postcards offer one of the most important photographic resources. At the beginning of the 20th Century postcards were made of almost everything! Pubs, weddings, family groups, Sunday school outings, funeral processions – they all find their way on to postcards and many of them were produced in very small quantities, so there are always more fascinating cards to be found.

 

postcardsWhatever interests you there is almost bound to be a postcard to suit you! Come and browse!!

Jonathan’s postcards are arranged in three main sections – foreign, UK and subjects. He also sells stamps, paper ephemera and First Day Covers.

You will always be welcome!

 

 

 

WANTED – Jonathan is always keen to buy postcards, paper ephemera, stamps and first day covers.   Just call him on 07876 234264.

 

Jonathan Edwards is a Baptist minister and supports two churches that are going through times of transition.  He is also an advisor to a number of Christian disability charities.  He lives in Newbury where he and his wife, Sue, have brought up their three children.  They now have a foster daughter who loves exploring Hungerford Arcade … and especially the Junk Shop!

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Hungerford Arcade Myth or Memory

If you happen to be in London around 
the 17th to 22nd March, why not pop down to Craft Central in St John’s Square and see Hungerford Arcade stallholder, Jane Corbett’s first London exhibition.  She will be resident for 6 days showing her decorative yet discerning mixed media sculptures.  Jane’s curious creations range from fragile porcelain and intricate textiles to botanically inspired sculptures in wax, paper and wire work all housed in antique glass domes, display cases and cabinets.

 
Jane lives and works in Hungerford and has run her own millinery business in Hungerford for 15 years.  Her clients include HRH the Duchess of Cambridge and she made Mrs. Middleton’s hat for the royal wedding. 
So, as you might imagine the exhibition will feature a sprinkling of millinery, but don’t expect anything as literal as a wearable hat!
 
Works in one section of the exhibition, including a velvet lined box housing inexplicable instruments, suggest that Jane has rediscovered artifacts belonging to a fascinating and largely overlooked 19th century collector known only as TM – but that is another story in itself.
 

The exhibition is called Myth or Memory and is on from 17th to 22nd March at Craft Central, 33-35 St John’s Square, London EC1M 4DS.
www.janecorbett.co.uk


For all the latest news go to our Newsletter at www.hungerfordarcade.co.uk

 

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HUNGERFORD ARCADE: ROYAL YACHT BRITANNIA

QUEEN’S ESCORT

Hungerford Arcade has had many Royal visitors and those connected with them.  However, it was a first to have the Queen’s Escort who served on the Royal Yacht Britannia.

David Bateman (now Lord David F.C. Bateman) joined the Royal Air Force in 1983 and served until 2008, serving some of that time aboard the Royal Yacht Britannia as the Queen’s Escort.  Britannia was his home and his country wherever she went in the world.  David and his wife, Dorothy even had their marriage Banns read on the Royal Yacht and her Majesty took a keen interest and kept up to date asking David if all is in order with the wedding preparations.

David served as a Medic in Afghanistan in 2006 and due to his injuries has reluctantly retired.

All of us at Hungerford Arcade send our very best wishes to Lord David and Lady Dorothy Bateman.
Rita

Dedicated crew
H. M Queen Elizabeth II
with the Crew of HMY Britannia

DECOMMISSIONING

Because Britannia played such an important role in the public and private lives of the Royal Family for over four decades, it is no surprise that her decommissioning was a sad day for all.



Keep up to date with what is going on at Hungerford Arcade in the latest edition of our Newsletter at www.hungerfordarcade.co.uk
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